Wednesday, 8 July 2009

Especially For You


This is abridged extract (first appeared on the UK Romance blog on 1st July)
It is from the Prologue of THE LOVEDAY CONSPIRACY which foreshadows events to come that again engage Adam and Japhet Loveday in political intrigue. Amid such derring do there is not one but two strong romances woven through the story.

A flame snaked across the cracked flagstones and as it sizzled along the fuse to the top of the powder keg, the Captain and four of his crew covered their faces with their arms. Each gulped a lungful of air, their bodies braced. There was a blast of heat. Then orange flames momentarily lit the dungeon. The impact of the explosion flung the men back against the wall, scalding the breath from their bodies. A shower of debris and dust billowed around them, stinging their throats and nostrils. With hearts pounding louder than a blacksmith’s anvil, they waited, peering through the clearing smoke. The thick oak door hung crookedly on its hinges. Behind it in the black pit that was the prisoner’s cell cries of terror and coughing was silenced by a shout.
‘We are friends. You have been freed. There is little time to get away before the garrison will be called out. Follow us!’
Men with their features hidden beneath matted beards and sores staggered out. Most wore some degree of naval attire, which had been reduced to rags. Despite the cold all had been stripped of their jackets and boots, the officers as dishevelled as the deck hands. A few civilians also staggered out with their silk or fine cambric shirts in tatters around bruised and whip lashed bodies; the colour of their torn breeches indistinguishable after months of laying on filthy straw and rats’ droppings. They were a motley group weakened by dysentery and starvation rations.
‘There is no time to loose.’ The captain ordered. He was shocked at their condition. Some seemed barely able to walk. He could not tell if any were wounded or incapacitated by infirmity or age. There were more prisoners than he expected and it was his duty to save not only the English prisoners of war, but also any Frenchman who faced the guillotine because of his birth. From his hasty inspection some could barely stand and were unlikely to make the short dash through the port to the long boat.
‘God praise you!’ Voices greeted them.
‘Save your breath for what lies ahead.’ the captain warned, ‘The greatest danger is still to be faced before you are aboard my ship.’
The strongest had pushed their way to the front and these were given the spare daggers and cudgels the Captain’s men had been able to carry.
‘Help each the wounded where you can, but once the fighting starts it will be every man for himself.’ It was not a decision the Captain wanted to make but too much depended on them getting quickly away or he could lose his ship and many more lives would be in peril.
Two of his men helped support the wound. The Captain seeing the terrified face of a youth not much older than is eldest son, who was clinging to the wall for support, hooked the lad over his shoulder. With his sword raised, he stepped over the two bodies of the guards, each with their throats cut. Their greatest danger was the steps to the entrance of the lockup. If the sentries came hurtling down them both prisoners and rescuers would be trapped. They could all die.
The Captain breathed easier that no alarm had so far been raised, but the explosion would have alerted the guards on the city walls. They would have only a few minutes to escape unless his accomplice Monsieur Grande had created a diversion in the town.
Halfway up the steps he smelt the first taint of smoke in the air. As he flung open the door to the courtyard an orange glow lit the sky behind the quay. The thud of running men and shouts raised in panic were headed away from them. The fire that had been set was next to the grain store and if that burnt town, the citizens would endure a winter facing starvation.
‘Keep to the shadows!’ The captain warned the prisoners. He stood at the doorway urging those lagging behind to catch up with the others. He also glanced anxiously along the quay. Lord Grande must not be far behind them. There were only two long boats to row out to their brigantine and he could not afford to wait long for his accomplice to board. Yet without him the rescue would have failed.
‘Hurry my friend,’ he groaned as he sped after the prisoners.
The outcry and frenzy in the town had drawn many of the sailors from the quayside taverns, but there would still be some placed on watch on each vessel. In times of war every furtive move was regarded as suspicious.
‘Halt. Who goes there?’ A command was barked out in French. ‘Halt or I shoot!’
Up ahead there was the sound of a scuffle and of a shot being fired. The Captain could just make out the first of the prisoners climbing down the stone quay steps to a long boat. Others were fighting.
This could be disastrous. The Captain felt his blood freeze. From out of a tavern a dozen soldiers appeared, half of them carrying muskets. Their officer had raised his sword aloft and was rallying more to his side.
The Captain drew his own pistol and fired at the officer, who went down, shot through an eye socket.
‘At them men! For England and King George!’ The Captain shouted. He was now in the thick of the skirmish and laying about him with his sword. He was slowed by the weight of the youth who also hampered his movements.
A volley of musket fire brought down more prisoners but then it would take the soldiers over a minute to reload and some prisoners charged them wielding cudgels against muskets now used as clubs.
There was little moonlight but the glow from the fire not only lit up the sky it was reflected in the water of the harbour. Only fifty yards separated them from the long boat.
‘Give me the boy.’ A white-haired prisoner took the youth from the captain.
No longer restricted he was now able to defend the backs of the stragglers. The fight was frantic and those left on the quay were outnumbered. Desperation reignited their failing energy when the stamp of booted feet from the direction of the town meant reinforcements. But for which side? Had Lord Grande made it to the quay, or was it more French?…

…There was a deathly hush.
‘And did they escape?’ A young voice demanded.
‘Of course they did, numbskull,’ Nathan Loveday taunted. ‘Otherwise Papa would not be telling the story.’

Wednesday, 1 July 2009

Conspiracy Extract


Today I have posted an extract from THE LOVEDAY CONSPIRACY on ukhistoricalromance blog. Click on top of page.

Monday, 29 June 2009

Murder Mystery and Intrigue


When the Loveday family face danger they unite and face their enemies with courage and conviction. Three conspiracies weave through this exciting new addition to the Loveday Series now available in Hardback.

Extracts will soon be revealed.

Tuesday, 23 June 2009

Questions & Answers Part 2


Hope you like the picture of a few of the stones of Avebury ancient circle. This is where the wedding of Adam and Senara took place. Checkout Avebury on google for lots more pictures. It is one of my favourite places.
Here are some more answers to questions.
Q.. What will it take to have your books available in the USA?
A. Unfortunately I have yet to sell the American Rights but my agent is trying hard. Never underestimate the power of recommendation and for readers outside the UK I always recommend the UK seller The Book Depository which discounts books and offers FREE WORLDWIDE DELIVERY.
Q.What does your study look like?
A. It is stacked up with books and alongside my desk is a bookcase of current research books for the Loveday Series. On one wall is hung portraits or my husband, one grandson and myself and my husband has promised to complete the set of our two children and other four children. I also have some of my wildlife paintings and seascapes on the opposite wall. My desk is in front of double glass sliding doors that look through to a Victorian style conservatory and out into the garden. It is a lovely view of trees and shrubs and I do try very hard not to get too distracted by the birds that have been nesting in the boxes.
Q. Do you write at a computer?
A. After an automatic dishwasher a computer is the greatest writing aid to producing work. When the writing is slow I have to limit my time getting sidetracked on the internet and getting dragged into an online Sudoko game.
Q. Do you agonize before "killing off" a character? Especially because it means the end (or should I say "dead end") of a certain number of plot lines.
A. The death of a family member is always traumatic to write as they are like my extended family. Killing off Harry Sawle was more therapeutic and gave me a sense of bringing an evil villain to justice.
Q. Within any given novel, do you know everything that is going to happen to your Loveday characters? Have there been surprises?
A. All plots are movable feasts where the Lovedays are concerned. Some of the most dramatic scenes have happened because one of them dictated what would happen rather than follow what I thought would occur.
Q. Did you set out to be a writer?
A. It was always a burning ambition of mine as I always had stories in my head that wanted to be told.
Q.Did you ever have another career?
A. I trained as a legal personal assistant and also had several secretarial jobs. I did not become a full time writer until 1990 when my two children had left school.
Q. What has been the greatest joy of your writing career?
A. Having my first book published and realising that I still had many more stories I wanted to write. Getting my first fan letter made me feel really special and that I had succeeded. I still love hearing from readers by email or post and such contact makes all the long isolated hours worthwhile.

Sunday, 14 June 2009

Questions from USA - Part 1

Marilyn asked several questions on my last post. I'll answer them in stages so that other readers can also give feed back.
Kate, since you were so kind to ask, here are some questions that I'd love to have answered -- either in your upcoming JUST FOR YOU section or in this blog:
1. Did you have formal training as a writer? If so, what was it?
Ans. I did attend a creative writing workshop to learn the techniques and get what help I could. I also then joined the Romantic Novelists Association where it was possible to meet agents and editors and also hear them give talks and I also attended writing conferences. It can be a slow process getting published. A novel will take about a year to write and that does not guarantee success. My fourth novel was published.

2. Please tell about your experience when your very *first* book was published.
Ans. I still feel the same every time a new novel of mine is published. It is always a great thrill.

3. Which Loveday character is most like you? Ans. Senara

4. For your Loveday characters, do you draw on the nature of your friends? your family?
Ans. That could be a good way of losing family and friends . I shall put more of this in the Just For You section in the paperback of The Loveday Conspiracy.

5. So much happens to each Loveday character. How do you keep it all straight in your mind over so many years?
Ans. I have a head for trivia and after a year of writing about a particular family drama it tends to stick in my mind. I constantly have to recheck historical facts.

More later - Best wishes Kate

Friday, 12 June 2009

Questions and Answers


I am currently putting together a Just For You section to go at the end of the paperback of The Loveday Conspiracy. This was also done for the paperback of The Loveday Revenge.
There will be the Prologue of The Loveday Vendetta (This is still the working title of the latest Loveday), Some writing tips on how I plot my novels, What books I am currently reading or have inspired me, and a general section where I answer questions I have been asked either in this blog or from your emails.
If you have a question you would like to see in print either ask it here or email me at Katetremayne.com. I will answer as many as space will permit. I have to send these to my publisher at the end of next week.
I hope you like the painting. It is a Cornish seascape I painted at a recent art course on seasscapes that I attended. I find painting seascapes, landscapes and wildlife very relaxing and a new challenge as I had no formal training.

Sunday, 7 June 2009

Titles and things


It has been a fabuous week with first Tesco doing a summer long promotion on The Loveday Secrets. My preview hardback copy arrived hot of the press from the publishers of The Loveday Conspiracy and looks gorgeous. It is published at the end of the month - more on that and an extract later. Then I learned that one of my Pauline Bentley novels written for Mills & Boon was recently republished in Switzerland. I wrote this over 12 years ago. If that was not enough to send my mind spinning into overload a long phone chat to my wonderful editor Sherise had us discussing the latest plotline which she adored and of course titles.
In my current work in progress Rowena and Bryn come to the fore with their stories to be told. Bryn has remembered his past and seeks to bring the man who murdered his brother and mother to justice and reclaim his birthright. Rowena is also saved from a disastrous elopement but she has sent out to prove she is more her father's daughter than has inherited her mother's scheming blood.
The question of titles came up and I rather fancied The Loveday Rebels as in depicting that all offspring in their late teens rebel against rules and convention. Also the country is still at war with France and the family has its own internal battles as well as national wars to fight. The other choice was The Loveday Vendetta. Now I am torn between the two. Any personal preferences from my readers? Your views are welcome. The book title often reflects the tone of the subplots so is essential that I get it right.
And don't worry Adam, Japhet and Tristan will still be playing prominent parts in the new plotlines.

Monday, 1 June 2009

Promotion


I am posting on uk historical romance with this great news today click on the link at the top of the page for more information.
Kate

Wednesday, 27 May 2009

Characters: Can't live without them


Adore them or loathe them where would we be without them. Our characters. The Lovedays frequently drive me crazy when they do their own thing and change the plot entirely. Yet that is positive as a novel is created through action and reaction.
In the new work in progress I have a different dilemma. The story has moved on to Bryn (Adam's ward) searching to discover his past when his memory returns and the adventures that follow. He is easy to deal with. But it also features Rowena the oldest of the Loveday children. She is the image of her mother, the scheming fortune-huntress Meriel shown on the cover here. She has her mother's cunning and beauty and from her father has inherited the reckless spirit of the Loveday men. But who is her father. She naturaly believes it is St John who married Meriel but there has always been a question mark hanging over her paternity as at the same time as St John, Adam was also Meriel's lover. The personality of her father is also her guiding force.
St John adored Rowena and could refuse her nothing. She was spoilt and her wilful nature has put her at odds with her family. When I began writing her story in the latest novel, I had real problems with her until I realised that actually I did not like this spoilt selfish brat. Major crisis here as she was to be the main heroine in the story and the reader must have empathy with her or they will lose interest in the story. I could make Meriel transparently evil as she was a secondary character and fed upon the weaknesses of others. This would not work with her daughter.
Putting my own prejudices aside and aware of Rowena's troubled childhood - abandoned by her mother, her devastation at the death of her father and feeling betrayed by him for the loss of her home and security - it was obvious that by the time she became a young woman she would be a complex character with many emotional issues to be resolved. She is also wily and secretive and to make her work as a character readers will want to succeed, I spent a week doing a complex character profile and realised that the only way Rowena would work was to allow the reader into her head in a very different way than I have used before. It is still in its experimental stage in the writing and like all early drafts it will either work or its back to the drawing board.
I do sometimes feel that today's teenagers are an alien race who dance to a completely different drum to their parents. Although the rules for them in Rowena's time were much stricter than today and the consequences far more dire if they were cast out of their homes, they faced the same problems we all did as teenagers in trying to find our way and hopefully achieve success without too much trauma.
I am hoping that readers will see in Rowena every generations need to break free and be true to themselves and that her story will truly be one that transcends time.

Monday, 11 May 2009

Fun with characters





Calling all Loveday fans! Feel free to jump in and recommend actors for the roles of the leading characters. I am fascinated by the interesting suggestions. Don't be shy. There are NO wrong answers!

Marilyn S who is a regular contributor to the Loveday blog posted the above following our fun and interesting weekend participation in picking stars to play Loveday characters. I thought it deserved a second slot.

Love to hear your comments. Hope you like the pics of Richard Armitage and Rupert Penry-Jones. We've also had Chris Pine(the new Capt Kirk)nominated as Adam and the lovely Johnny Depp who could play a multi-role as all the Loveday men as far as I am concerned.

Friday, 8 May 2009

You pays your money and takes your choice




Two very different covers here for The Loveday Secrets. The hardback cover with the woman's full face and gorgeous moorland scene behind is an image of Georganna. The poignant story of hers and Thomas's unusual marriage and the consequences that arise have a dramatic effect on all the family. The paperback with only a partial view of a woman's face is now the new look for the series so you definitely have to decide who you think fits this role. The new look has had a very positve response from booksellers. What do the readers think?

Sunday, 3 May 2009

Who is on the cover books 7 and 8




More on the women on the covers again now. THE LOVEDAY PRIDE is one of my favourites as I love the colours and it has a Cornish seascape behind it. It could be Gwen as she features strongly in this one. It could be Bridie as she is yet to appear on a cover. It could even by Hannah who is still challenging Harry Sawle at great danger to herself. However I personally would have her as the more mature Senara now very much a cultured woman who has not lost her affinity with those less fortunate than herself. Also the moon over the water links in with her pagan upbringing and her strong ties to nature.

What are your ideads on this? I'd love to hear from you.

THE LOVEDAY REVENGE shows Felicity and her involvement with the family. She is very much a more feminine influence in this darker story of retribution and bringing the smuggler Sawle to justice. I love the colours of this dramatic background.

Friday, 1 May 2009

Maypoles, morris men and mayhem or the joys of a butterfly mind



Today I am blogging on historical romance uk click on top of page for this article.
Kate

Wednesday, 29 April 2009

Correction to list


I was away with the faeries when I put up the post yesterday as I am sure readers will realise that Honour and Loyalty were books 5 and 6 in the series. I have been checking the printer's proofs for Conspiracy this week (a rush turnaround as it will be published at the end of June) so have been overworking the brain cells. Book 3 The Loveday Trials was the odd cover out as it shows a tine mine and was chosen as an evocative Cornish scene instead of a woman.

Tuesday, 28 April 2009

Who is on the cover Books 4 and 5




THE LOVEDAY HONOUR is one of my favourite covers and I think it really depicts the feisty and free-spirited Tamasine. After the briefest of appearance in The Loveday Trials she arrives dramatically into the family's life as Edward Loveday's love-child, whose existence had been kept secret from him. Tamasine was unstoppable in her quest for adventure and discovering such exciting relatives. Her story was a joy to write and the heartbreak of her first ill-fated romance the most poignant. The covers shows her as I had pictured her and I loved the atmospheric skyscrape and its colours.

THE LOVEDAY LOYALTY continues Tamasine's story and also brings more to the fore Hannah and her struggle to run her late husband's farm and raise her children. She is in direct conflict with Harry Sawle, the ruthless and unprincipled smuggler but he finds he has met his match in her. The cover shows Hannah as a self-possessed and capable woman, her passionate nature bridled and now channelled into protecting her own.

Are these the women you thought they were?

Thursday, 23 April 2009

Images on covers Part 1






First of all happy St Georges Day to all my readers and for any outside of the UK who do not know the significence of this day St George is our patron saint. The 23rd April also commemorates Shakespear's birthday and was also the date of his death.
My great love of history and patronism always made we wonder why we did not as a country do more to celebrate this day. Was it luck or coincidence, if there is any such thing as coincidence, that my own special way of celebration was for that day to mark the birth of my daughter Alison and son Stuart. Although both were born on the 23rd Apri, their births were two years apart. Happy birthday to them and anyone else who shares the day with them.

Marilyn asked me recently to reveal the identities of the Loveday women on the book covers. This is a question I have been asked many times. At first I always left it that as readers get very fixed ideas of what each character would look like, it was best for them to decide. I shall give you my idea and would be interested if readers agree or disagree. Today I will deal with the latest cover of Adam Loveday, Fortunes and Scandals.

The beautiful blonde on Adam Loveday shows a woman of great determination and capable of manipulating men for her own ends. It is Meriel Sawle.

The image on Fortunes is linked with nature and the sea and shows a woman self-assured but more mysterious. There is still a lot more of character to be revealed through later books. It is Senara.

The image on Scandals has to be Gwendolyn. A woman breaking free of her family restraints and prepared to risk all for the man she loves. A woman who is idealistic and has yet to face greater challenges to come.

What are your ideas?

Saturday, 11 April 2009

CORNISHWORLD INTERVIEW April/May 2009 issue



This beautiful, informative glossy magazine has a double page spread on Kate Tremayne and her Cornish series of historical novels about the Loveday family.

I am really thrilled with this coverage and interview which talks about my love of Cornwall and how it has influenced my writing. I enjoy this magazine which is full of interesting articles and pictures of Cornwall.

Kate Tremayne

Thursday, 26 March 2009

REPRINT NEWS



Great news for all fans who have been unable to get a copy of THE LOVEDAY TRIALS. It is being reprinted and will be available next month. The Loveday Trials is the third book in the series.

Kate Tremayne

Thursday, 19 March 2009

DO WE LEAD OUR CHARACTERS OR DO THEY LEAD US?






This is the fabulous new cover for The Loveday Conspiracy. It was a constant inspiration to make the story as dramatic and emotive as possible. It will be published in hardback in June and paperback in October.

I have just delivered THE LOVEDAY CONSPIRACY to my editor and it has been my most challenging novel in the series. Throughout the books the themes have been multi-faceted and there was more than one conspiracy the family were involved in. One male thought he could outwit the women’s moral outrage at his conduct only to find that when they band together they are formidable opponents. Both Adam and Japhet Loveday have their own plots to bring an enemy to heel, and when they work together to serve their country in a conspiracy to bring a traitor to justice, they discover their own lives are in danger.

As with all intricate plots the drama must be kept tense and the high action plausible at all times. The unfolding of the story is carefully choreographed and the characters given their motivation to act out the events on the page. Yet in the heat of the plot with emotions from the characters running high, do we strictly adhere to the storyline we have created, or do we allow our characters to dictate their next move. I believe that if you know your characters as well as you know your best friends they follow the necessary plan mapped out for them. However, like even best friends, there can be a hidden agenda they had not previously shown to us, or a side of their nature they had kept firmly in check until circumstances bring it bursting forth.

With the wild blood governing the emotions of the Loveday men, the unexpected is always possible. The dramatic conclusion of the final conspiracy in this novel was fast paced and action packed. Then suddenly without warning the characters are no longer acting out the scenes as I had intended. They interceded to mould the events in their own irrepressible fashion. All the time I tried valiantly to keep them on track, the scenes did not work to my satisfaction, and with the deadline looming this was very stressful. One morning they just took over. For most of the last three chapters I had to sit back at the end of my writing day dominated by the shock of how they had reacted, yet knowing that this was the only course that they would have taken. What emerged was an even more suspenseful and a greater page-turner. The price I paid for this was I was left each evening in a state of semi-panic thinking ‘how do I get them out of that scenario?’ and also keep everything plausible and achieve a satisfactory and inevitable conclusion for the reader. The Lovedays had literally dictated how they would have reacted to the danger they faced, which was far more emotive that all my careful plotting and I knew I had to follow their lead.

That is the joy of our writing and the challenge. It was also amazing how after several sleepless nights how little I had to edit previous chapters for the resolution to be exactly right for an exciting and unexpected ending.

I believe most of our writing is done on a deeply subconscious level, the depths of which even we as the writer are not always aware.

I also announce that following our exciting invitation to contribute to the Risky Regencies blog that the winner of my competition was Pamela Bolton-Holifield.

Kate Tremayne
Labels: Kate Tremayne, The Loveday Conspiracy; The Loveday Books Blog

Sunday, 1 March 2009

Good news for readers outside the UK



I receive emails from all over the world saying that fans sometimes have trouble finding the Loveday books in shops or online. The good news for you in that the UK online company THE BOOK DEPOSITORY not only discount the Loveday books but worldwide postage is free. They give a prompt and efficient service.

Happy Reading
Kate Tremayne